Plettenberg Bay, 
South Africa
  • Booth: 3661

Since 1998 Mungo has been weaving quality, natural fibre homeware textiles, individually woven on antique and repurposed looms at our mill in Plettenberg Bay, South Africa. Transparency and sustainability underpin all our processes from inception of design right through to the final product. 

 Press Releases


    ·      You're referring to the new mill as a showcase of transparent production. How does the building merge pre-industrial methods with present-day technology? 


    Production at the Mill currently combines antique looms from the pre-industrial revolution to more modern looms made in the early 80’s. The progression of the technology is fascinating to see in action. Going forward five to ten years we'll look at modernising even further in terms of equipment and computer programming, but there are definite benefits to holding on to the older machines. For one, the technology is simpler, and they can be more cost-effective. The ethos behind using looms that would have been sold for scrap to still be producing top quality fabrics, is something we align with greatly. On the down side, the older equipment tends to break down and become unreliable. 

    We're also mindful of ensuring that the skill set doesn't die off with the people that know how to run the old looms. The transfer of these skills is very important and an art in itself. 

    ·      Can you chat us through the design process with architect Andrea Cristoforetti?  

    The process happened around Andrea's kitchen counter. He has a lot of architectural books that have been collected over the years and he translated his vision through those images and references. We refined the design over a number of meetings and a number of bottles of Castle Milk Stout. With Andrea being Italian there was also a fair amount of delicious parmesan cheese and excellent balsamic vinegar thrown in for good measure. It was a very charming process. 

    ·      What part did Poise Consulting play in the project?  

    They were the structural and civil engineers on the project, but there was a lot of overlap with the architectural function. Deon from Poise took Andrea's concept and turned it into a workable plan for the builder. He is a very dynamic and creative engineer and typically works on projects that other people might shy away from. 

    ·      What materials and noteworthy design elements are being showcased in the build? 

    The primary design elements of the building are the external skin and the arches. The face brick detail achieved by our builder is also important to note. We used local materials wherever possible including bricks that are made 20 km away and timber from the pine forests between George and Knysna. 

    I'm a carpenter and cabinet maker by trade, having studied furniture design and furniture making, so I have an understanding and love of wood. My personal aesthetic leans towards leaving the product untreated to weather naturally, bleaching over time to create more dimension. The wooden floors have been varnished inside to keep them from becoming very dirty, but even there we opted for a very soft finish. 

    We also referenced some of the design elements from the old Yorkshire mills which ran on water during that period. A water wheel would have powered the machines, followed by boilers and steam as technology progressed. The water feature at our Mill represents that era whilst adding architectural perspective in the form of reflections of the skin. 

    ·      Sustainability, transparency and traceability are central to your company values. Why are these and the 'slow movement' so important to you as a brand? 

    We have a huge impact on the planet as a species, largely negative, and at Mungo, we want to use some of the tools at our disposal to champion the honesty and transparency of manufacturing. This promise holds us accountable and forces us to make decisions that ultimately benefit the environment. 

    People have lost touch with how things are manufactured but we're passionate about showcasing and valuing the process by which something has been made. 

    ·      Have you noted a movement away from rampant consumerism to something more socially and ethically connected? 

    I have, but it really varies from person to person. It's fantastic if you live in the City Bowl in Cape Town where you can drink craft beer and you have the income to buy beautiful handmade products, but for the other 99% on the planet who are buying products based entirely on the price it's a different story. You can’t turn the tide on that or on our social, cultural and economic system but maybe this slow craft movement is a start of something a little bit different. 

    ·      Your father, Stuart Holding, started the company 35 years ago and by all accounts sounds like a remarkable man. Can you tell us a bit more about his Mungo journey? 

    His Mungo journey is pure passion. It is 100% desire to make a piece of fabric. He came from a very small Yorkshire town where he knew exactly what his life would be like if he stayed. He'd work at the local mill, have 2.5 kids, marry Sally… But he turned his back on that life and traveled the world, ending up in South Africa. With the knowledge and skills he possessed, he started re-learning weaving and creating fabrics from his own personal perspective. He really pushed the boundaries of what was possible, failing and winning, and those successes and learnings shaped the company and formed the Mungo vision. 

    ·      Who makes up the Mungo team today? 

    Today we're a team of over fifty people, ranging from production to admin, three retail stores, a marketing team, and the whole production outfit. My father, sister Tessa and I make up the board of directors with equal shares in the company. 


  • Mungo Dhow Towel
    100% Linen Towel....

  • Woven from the finest 100% European grown linen, the Dhow Towel comes in three distinctive weaves, created for their absorbency as well as the unique texture and feel they have on your skin. The raw qualities of natural linen give this towel a texture and feel which is initially a little rougher than cotton, but which will soften over time with every wash. Linen is celebrated for its durability and longevity. The Dhow towel will last you for years to come.

  • Mungo Itawuli
    100% Cotton Towel...

  • A vibrant African ispired towel. The striped detail that runs through the middle of the Itawuli makes reference to traditional woolen Basotho Blankets. These blankets were initially woven in England. As the story goes, the 1cm ‘pinstripe’ was woven in to indicate where the fabric was to be cut. But a batch with stripes intact made its way to South Africa. The supposed flaw became popular and was incorporated and uplifted in the local design. Read more about the iTawuli on our blog here.

    The Itawuli is woven from 100% pure cotton grown in Swaziland. The flatweave design of our towels allows them to fold up tight, ensuring they use less space and water when washing and that they travel well.

  • Mungo Tawulo
    100% Cotton Towel...

  • The Tawulo is a classic and original addition to the Mungo flat weave towel range. This textured, monochrome range is punctuated with a few bold pops of colour in the striped details. One of the defining characteristics is that no two Tawulo’s are the same, thanks to the random rolling of the weft yarn in the weaving process.

    The inspiration behind this technique comes from the historical weavers in West Africa. Traditionally coloured yarns were obtained by extracting natural dyes from plants, which was limited to what grew in their region. When traders began to come to Africa from all over the world they brought exotically coloured fabrics with them. These fabrics were unravelled and the yarns re-woven in combination with local yarns to create a hybrid of pattern and colour.

    The Tawulo flat weave towels are all woven from 100% cotton grown in Swaziland. They are highly absorbent, quick-drying and eco friendly due to their low bulk. A versatile bath, pool or beach towel which folds up tight when traveling.

  • Mungo Continental Towel
    100% Cotton Towel...

  • The classic Continental bath sheets and hand towels are woven from crisp white cotton, with a stripe detail that runs along the two sides and an eyelash fringe along on the short ends. The design takes it cue from the traditional European flat weave towel, an adaption from the historical block rib weave, the Continental towel is luxuriouslu soft, generously sized and absorbent. 

  • Mungo Belgian Waffle Weave Towel
    100% Cotton Towel...

  • An enduring classic, the famous waffle weave has been associated with toweling long before the terry towel was invented. The three dimensional, pocket-like structure of the weave creates more surface area for drying your skin, yet it is still light enough for quick drying on the rail. An eyelash fringe runs all the way around this generously sized towel giving it a shabby chic look and feel. 

  • Mungo Summer Towel
    100% Cotton Towel...

  • Don’t let the name deceive you, this beauty can be used all year round. A versatile bath, pool or beach towel that is half as bulky as a standard terry towel, yet equally absorbent. Perfect to tuck neatly in a backpack, picnic basket or beach bag. Its flat weave nature comes with the added bonus of soaking up little to no sand (not so many nooks and crannies for it to get stuck in).

    The Summer Towel was created for the lovers of the bright and vibrant. Make a splash on the beach in Summer, add a pop of colour to a poolside in Spring or create a pocket of brightness in a tidy bathroom any season you like.

    Woven on our century year old Lancashire shuttle looms, individually manufactured with a true selvedge (a self edge which stops the towel from unraveling or fraying) and a traditional eyelash fringe.

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